|
|
The Cinematography of Kosmic Karl was done by Mark Whipple and Gary Whipple. The filming was done with two 16mm cameras, the Arriflex E and the Arriflex BLEQ. The project was started with the Arriflex E but was found to be too noisy. The BLEQ replaced the E and we were able to capture the remainder of the film using 2 prime lenses, a zoom and a fish eye lense. Lighting in the Assylum was done to create a sterile, hospital like environment. The film used was Kodak
KODAK VISION 320T 7277 for outdoor and indoor lighting. This film
handled the very darkest environments without a hitch. One such area was in a
tunnel with limited lighting, producing a very clear image.
|
|
Send mail to gary@kosmicfilm.com with questions
or comments about this web site.
|